How To Take The Best Pictures

With Your Instant Picture Camera

 

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Chapter 4

On Instant Camera And Film


Invented in 1947 by Dr.Edwin Land, the instant picture
process is unique. An instant picture camera, which issues a
finished and permanent color print as little as one to four
minutes after exposure, allows you not only to check results on
the spot, rephotographing if necessary, but come up with the best
results as well, since all the necessary adjustments could be
made right there, on the spot. This photograph's exposure
originally made on the transparency (slide film) was adjusted
according to the Polaroid Spectra instant photo of Old Jaffa.
Today, there are three main types of instant picture cameras:
cameras for integral film, cameras for peel-apart film and
advanced instant picture cameras.
a) The majority of instant picture cameras for integral film
are those that use integral processing, which means that the
negative, as well as the print made within a single piece of the
picture processing material. The film that is used in this type
of cameras has both a negative emulsion and positive paper in one
package. After exposing the picture, both, the negative and
positive are tightly sandwiched together by being pulled between
two metal rollers, and by using the chemicals at the center
portion of the sandwich the image is transferred from the
negative to the positive condition.
b) Cameras for peel-apart film are cameras of the direct
vision type structure and most of them have automatic exposure.
After exposure two tabs are pulled to draw a sandwich of both
negative and positive paper out or your camera through the
rollers. It requires a short wait, after you peel the two layers
apart to come up with a finished positive and a throw-away
negative portion of the print.
c) Some models of advanced instant picture cameras with
interchangeable lenses allow the photographer to take care of a
variety of subjects, as well as to be more photographically
creative. This type of cameras allows for an instant preview of
the setting or the lighting of your scene/subject, which is of
great value to the pro photographers working in the studio.

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